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berio thema omaggio a joyce

Thema (Omaggio a Joyce) - Wikipedia

Thema (Omaggio a Joyce) is an electroacoustic composition by Luciano Berio , for voice and tape. Composed between 1958 and 1959, it is based on the interpretative reading of the poem "Sirens" from chapter 11 of the novel Ulysses by James Joyce by Cathy Berberian and on the elaboration of her recorded voice by technological means.

CutUpSound: Luciano Berio: Thema (Omaggio a Joyce)

Thema (Omaggio a Joyce) electro-acoustic elaboration of Cathy Berberian’s voice on tape (1958) Text by James Joyce. If the experience of electronic music is important, and I believe it is, its meaning lies not in the discovery of new sounds but in the possibility it gives the composer of integrating a larger area of sound phenomena into

Thema (Omaggio a Joyce) - Crossing the border of meaning

(8:11) This is what you do with open-reel tape and the human voice. At least, in 1958. The first couple minutes are a recitation by Cathy Berberian of the unaltered text, from James Joyces Ulysses.

Luciano Berio - Wikipedia

Berios electronic work dates for the most part from his time at Milans Studio di Fonologia. One of the most influential works he produced there was Thema (Omaggio a Joyce) (1958), based on Cathy Berberian reading from James Joyces Ulysses, which can be considered as the first electroacoustic composition in the history of western music made

Thema (Omaggio a Joyce) | Centro Studi Luciano Berio

company RAI under the direction of Luciano Berio. Thema (Omaggio a Joyce) is . maybe the only electroacoustic work ever created involving a musician and a . philosopher at the same time. During

Thema (Omaggio a Joyce) - Wikipedia Republished // WIKI 2

- Construing text as music in Berios "Thema (Omaggio a Joyce) and Stockhausens "Stimmung" - Le chant des sirènes: Luciano Berio à lécoute de la mémoire du futur - «Il dialogo con la materia disintegrata e ricomposta».

Thema (Omaggio a Joyce) | Wiki | Everipedia

Thema (Omaggio a Joyce) is an electroacoustic composition by Luciano Berio, for voice and tape. Composed between 1958 and 1959, it is based on the interpretative reading of the poem "Sirens" from chapter 11 of the novel Ulysses by James Joyce by Cathy Berberian and on the elaboration of her recorded voice by technological means.


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